ALEXANDER VON ZEMLINSKY: Lyric Symphony, op. 18. Roman Trekel, baritone and Twyla Robinson, soprano; Houston Symphony conducted by Hans Graf. ALBAN BERG: Three Pieces from Lyric Suite (arranged for ...

Hear music from Zemlinsky's two one-act operas based on works by Oscar Wilde. The American Symphony Orchestra, Leon Botstein, cond. It's been 65 years since the death of Viennese composer Alexander ...

Joshua Kosman is the Chronicle’s former classical music critic. He retired in 2024, after covering classical music for the San Francisco Chronicle since 1988, reviewing and reporting on the wealth of ...

Plus, get the best of BroadwayWorld delivered to your inbox, and unlimited access to our editorial content across the globe. Musicologist Nicholas Chong, a professor at Rutgers' Mason Gross School of ...

This February and March, James Conlon directs and curates a series of performances and events across Los Angeles highlighting the music of William Grant Still and Alexander Zemlinsky around the ...

Brahms is the dominant spirit behind four early chamber works from the 1890s by Alexander Zemlinsky. Zemlinsky was criticised, praised and helped by Brahms, and seems to have had elements of the older ...

The music of Austrian composer Alexander Zemlinsky is seldom performed today. Many of his colleagues and mentors, though, are well known: Zemlinsky studied composition with Anton Bruckner, was ...

For his program with the Chicago Symphony Orchestra on Wednesday night at Ravinia, James Conlon tied together several key elements from his 11 years as music director of the CSO’s festival residencies ...

David Kuebler, Patricia Racette, Iride Martinez, Andreas Schmidt; Chorus of the Cologne Conservatory, Gurzenich-Orchester Kolner conducted by James Conlon EMI Classics, $33.99 (two discs) . Alexander ...

The Escher Quartet's performance of one of Zemlinsky's greatest and most radical pieces is a highlight of this superb disc The first instalment of the Escher Quartet's survey of Zemlinsky, including ...

“Recovered Voices,” Los Angeles Opera’s effort to restore to the repertory German opera suppressed by the Nazis, has a shaky premise but not shaky music. Sunday afternoon at the Dorothy Chandler ...