GRAND RAPIDS -- Ratatat recorded its latest album quicker than usual. Maybe the Brooklyn duo was freshly inspired. Or maybe they wanted to make a quick exit from their recording location -- a studio ...
Evan Mast, or E*vax, is an electronic music artist. He and his brother E*rock run the Audio Dregs record label. His first album, Parking Lot Music, was released on 04 April 2001. Mast’s music is ...
It’s this voice that often times proves to be the downfall for even the most unflappable outfits. As creative and economic pressures pile up, it’s up to the artists to decide whether they want ...
When crafting instrumental music, artists have to convey personality and a point of view without falling back on vocals — or, more to the point, expressions of human emotion. The best, like the ...
It’s a big indie music weekend in Colorado. Ratatat plays a sold out show at the Ogden, and Noah and the Whale invade the Fox. Ratatat’s making waves with its fusion of indie rock and electro beats.
If Monday is a night of rest, no one remembered to tell Ratatat. Forced to reschedule their Friday night show due to vehicular malfunctions (aka their tour bus broke down in Oregon), Mike Stroud and ...
On Day 2 of the Big Ten Championships for track and field in Nebraska, Oregon saw two athletes finish first in their qualification heats, and... The Brooklyn duo, Ratatat, has an 11-year career in ...
This story is free to read because readers choose to support LAist. If you find value in independent local reporting, make a donation to power our newsroom today. We decided to make it an urban ...
With its ambitious cross-cultural rhythmic palate and the strongest melodies to date, Ratatat’s LP3 is practically begging for MCs to jack and loop a beat in order to complete the cycle. In addition ...
Last night, Ratatat graced Tucson with a performance at the Rialto Theater. Hot Sugar, a solo band that played electric-guitar-based techno music, opened with a sound that reminded me of old-school ...
When I walked into my first Ratatat concert in 2010 at Boston’s House of Blues, I knew the duo only from their recordings. So, I went in with the expectation of an entrancing, but quasi-ambient, ...
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