Hiroshi Sugimoto, "Lake Superior, Cascade River" (1995), gelatin silver print (all photos AX Mina/Hyperallergic) LONDON — The first image at the Hayward Gallery’s show of work by Japanese photographer ...

On Thursday, the Smithsonian Institution’s Hirshhorn Museum and Sculpture Garden formally revealed additional information and renderings of photographer and architect Hiroshi Sugimoto’s garden revamp.

The 400,000-square-foot complex is listed for $170 million, and a sale could displace scores of artists and gallery owners, and other tenants. By Julie Lasky Two exhibitions by Japanese artists raise ...

Hiroshi Sugimoto, one of Japan's most important contemporary artists, will join Asia Society Museum Director Yasufumi Nakamori for a conversation exploring Sugimoto's photography, his current ...

Eternal time posits the existence of paradise, while infinite time does not. Henri Cartier-Bresson found human warmth in his photographs, which he thought as a “decisive moment” that entered into the ...

The fate of what has been dubbed the largest artwork in Washington, DC, hangs in the balance as an opposition group has mobilized against the planned installation. But the Cultural Landscape ...

Japanese artist Hiroshi Sugimoto has unveiled two new glasses designs created for luxury eyewear brand Selima Optique. “When I was first introduced to [Sugimoto’s] work it was love at first sight,” ...

"This catalogue is published on the occasion of the exhibition Hiroshi Sugimoto: Gates of Paradise, October 20, 2017-January 7, 2018, organized by Japan Society, New York"--Title page verso. Summary ...

Once you start peering more closely, other anomalies begin to emerge. The sea ice looks suspiciously like expanded polystyrene dusted with flour rather than snow, and the distant ice hills are clearly ...

Hiroshi Sugimoto's images freeze time and space, revealing the workings of our own vision, slowing down the act of perception long enough that it becomes a palpable component of his work. Inspired by ...

The Sculpture Garden at the Hirshhorn Museum in Washington, D.C. as pictured in 2007. (Gryffindor/Wikimedia Commons/Public Domain) The “key part” referenced by Sugimoto is the dry-stack stone walls ...