The sound designer, supervising sound editor, and re-recording mixer on Kathryn Bigelow's thriller on crafting the ultra-realistic soundscapes for environments that very few people ever encounter.

Kathryn Bigelow’s “A House of Dynamite” is an exercise in tension, a countdown to disaster that goes over the same 18 minutes three times from multiple perspectives. A nuclear missile has been ...

Add Yahoo as a preferred source to see more of our stories on Google. The tense scenes in Stratcom and the White House, built on stage by production designer Jeremy Hindle, wouldn’t be possible ...

Add Yahoo as a preferred source to see more of our stories on Google. When it comes to highlighting this year's exceptional sound in film, Apple's blockbuster F1 and Netflix's timely thriller A House ...

Big Audio Dynamite’s rare visit to O.C. this week, with a terrific performance Thursday night at City National Grove of Anaheim, was another one of those cases when unwise booking works to the ...

As a teenager in the 1980s, I was shown a BBC drama in school called Threads that depicted the impact of a nuclear strike on a city in northern England. Threads is a brutal vision of a terrifying ...

A House of Dynamite is the kind of movie that sticks in your mind for a while after viewing. The tension created when an average drill becomes a real, life-or-death situation is exemplified in the ...

Film sound roundtable featuring 3 Oscar winners from ‘F1,’ ‘A House of Dynamite’ Award-winning sound design discussion with sound editor Al Nelson, re-recording mixer Gary Rizzo, and sound editor Paul ...