Given the world’s small number of first-rate Verdi singers, it comes as no surprise that tenor Arnold Rawls and bass Morris Robinson should cross paths—often amid the massive, gilded pageantry of the ...
Late in the afternoon on Nov. 10, lights began to dim as a packed audience eagerly waited at the Emerson Colonial Theatre. The Boston Lyric Opera’s staging of the classic opera “Aida,” with music by ...
Performances in N.Y.C. Advertisement Supported by Michael Mayer directs Verdi’s classic as an archaeologist’s discovery, featuring the shining soprano Angel Blue. By Zachary Woolfe For a long time, ...
3 REVIEW: The Festival d'Avignon Presents GROWING PIECE By Madeleine Fournier 4 REVIEW: The Festival d'Avignon Presents NOUS OU LE PARADOXE DU HÉRISSON By Muriel Imbach With its fascination for Egypt, ...
Yes, it’s that grandly spectacular opera that plays out in Egypt, its story set in some Eurocentric vision of an ancient land with made-up wars, muddled historical periods and an absolutely ...
3 REVIEW: Impressive Singing in Strauss’s EGYPTIAN HELEN, but the Story’s a Mystery at SummerScape Aida has been among the most popular operas in the Met's repertory since the "German Seasons" in the ...
Opera doesn’t get any grander than this. In the typical operatic duet, according to George Bernard Shaw, who was a brilliant music critic before he turned to the relatively undemanding trade of ...
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